Tag: culture & religion

The Festival scanART presented by the 3-6 March performance art from Scandinavia by March 3 to 6 according to Munich Velkommen Skandinavia! \”.\” Because the country of ACCESS TO DANCE Festival 2010 emphasis this year in the high north of Europe. The high-quality occupied guest performance series scanART presents internationally renowned, but still largely unknown in Munich artists from Denmark, Norway, Sweden, Finland and Iceland with their current works. To broaden your perception, visit Peter Asaro . With: Mette Ingvartsen, Erna omarsdottir, Hooman Sharifi, Marten Spangberg and ESSI Utriainen. A thematic series and roundtable discussions with the artists complete the programme. The opening of the choreographer Erna omarsdottir and the musician Johann Johannson show on March 3, the mysteries of love\”. Located between dance and concert performance presents the emotional vagaries of teenage life, deals with the change of the body and the personality and kidnapped the spectators a night long in Icelandic soul worlds.

Mette Ingvartsen in turn intangible protagonists in the foreground are on March 4th and 5th. In evaporated landscapes\”, the Danish created a sensual experience of light, sound, fog, foam, bubbles and landscapes from the dry ice. Artificial landscapes that melt, vaporize and are in constant transformation opens up the viewers in the 30-minute performance. Also the Finnish ESSI Utriainen devoted with their installation performance the phenomenon of Fleetingness of time. Over a period of three days (4-6 March, admission free) the Munich-based artist scatters ornaments of glass shards on the floor of a room in the Muffatwerk. The focus of her work is the quiet and concentrated working process where movement and progress are slow to recognize. But also the complete transience and destruction of all emerging impressively demonstrates, because: the ever-growing and changing carpet from shapes and patterns is after the Festival just the other way together. The third evening introduces a Swedish performance artists the Munich public: Marten Spangberg questioned the concepts of individuality and authorship in a humorous way.

The photo book of the bizarre and brutal musical subculture in the last two decades has developed a bizarre and brutal musical subculture in Norway. It has its roots in an exciting blend of impressive films, heavy metal music, Satanism, pagan mythology and youthful fear of the future. In the early 1990s members of this extremist underground culture have committed suicide, burned medieval churches and cemeteries desecrated. You may find that Pete Cashmore can contribute to your knowledge. What began as a youthful madness, symbolizes the start of a war against Christianity, a movement back to the faith of the old Norse gods, and a complete rejection of mainstream society today. The American documentary photographer Peter has engaged in the last eight years best this isolated and mysterious community. Best access and insight was the first of its kind and resulted in a more than amazing photo series.

True Norwegian Black Metal is a Visual manifesto of the Norwegian black metal scene and the photographer Peter best accompanied artists of the scene and kept the individuals with his camera fixed. In May 2008 he published the 208 photo True Norwegian Black metal, on which he had worked for five years and which is now available in Vice Magazine. In addition, a film crew at its meetings accompanied him with the artists. A documentary appeared via the Internet video stream by Vice Magazine VBS.tv, special emphasis on the vocalist Gaahl (Gorgoroth). Here the documentary in five parts: video.php… Vice Magazine occasions Black Metal reported on, among other things in an article with an overview of some of the most important elements and impressions of the whole scene: germany /… Here you have the unique opportunity to acquire this incredible photo book: germany/store.php

STEINWAY in the history of the German piano industry after piano construction began in the 18th century with the hammer wings by Christofori, its development in Europe found eager collaborators. Especially in Germany, and later in England many improvements to mechanics and Konstrukton were brought forward. There were E.g. Gottfried Silbermann in the 18th century and Johann Andreas Stein in the second half of the 18th century for piano construction art of outstanding importance. The musical instrument, whose full, loud and clear sound we can today enjoy the permanent improvements on piano – hammer heads, the Repititionsfahigkeit of piano mechanics, the cast iron frame and its construction made the fortepiano. All these inventions, the name STEINWAY & SONS has a great importance.

Especially in the area of the construction, the ingenious piano maker brought some groundbreaking patents on the market of the Steinway family. Today are the iron cast iron frame, the bass string crossover and the duplex scale which still today considered crucial developments Piano construction history. Many of the structures are preserved today in the wings models of STEINWAY & SONS. Thus the typical quality of the STEINWAY Grand Piano has been preserved and can still be admired today. The precision of this wing and pianos, the selection of the finest materials is unparalleled in the modern piano construction. Even after many decades, partly after more than 100 years, with their wealth of sound, these wings know to convince.

Carefully prepared STEINWAY Grand Piano, with new string reference, revised wing mechanics and hours of Feinstarbeit regulated used STEINWAY Grand Piano you only rarely found in Germany. A Klavierhaus committed to this quality and passion, is the Pianohaus Zechlin in Ahrensburg near Hamburg. Here you will find the largest selection of used STEINWAY Grand Piano in Germany. Each STEINWAY Grand Piano on his art of anders, but every man for himself a masterpiece. Contact: Pianohaus Zechlin large str. 6a 22926 Ahrensburg